The Horticultural Luncheon, one of many events scheduled for the upcoming Shenandoah Apple Blossom Festival, will be held May 3.
A native of Washington, D.C., Collins’ interest in journalism began at age 15 when he started writing for newspapers. By his 17th birthday, he had a regular column in the Washington Daily News. Collins continued writing at Notre Dame University, where he was one of the founders of the school’s newspaper.
After college, he spent two years in the Army (one in Vietnam) before returning to the Washington Daily News as a police reporter. He also worked for The Washington Star. Collins’ TV broadcast career began in 1973 at Channel 9 (then called WTOP and WDVM) in Washington, D.C. He left Washington in 1980 for station WLS in Chicago only to return to Washington for a three-year stint at WJLA.
Collins joined News4 Washington in 1986 and has covered many big stories, including the career of Marion Barry, the disappearances of Junior Burdynski and Chandra Levy, the death of Len Bias, the aftermath of 9/11 and the 2002 sniper shootings.
Collins’ unique style of reporting has earned him 10 Emmy Awards, two Clarion awards, and a Chesapeake Associated Press Award for “Best Feature Reporter.” In 2006, he was inducted into the Silver Circle by the National Capital Chesapeake Bay Chapter of the National Academy of Television Arts and Sciences. He lives in Northwest Washington with his wife. They have three children.
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Attribution: Mercedes Milligan, animationmagazine.net
Born in Washington DC in 1889, Godwin was the son of the city editor of The Washington Star. Self-taught, he began his career as an apprentice on that newspaper. A stint at the Art Students League brought him in contact with James Montgomery Flagg and, by 1908, his work began to appear in humor magazines of the day. By 1915, he was firmly established at Judge doing headings for stories (at right), and even the title page drawing for their annual reprint collection (at left).
While obviously influenced by Flagg (and Charles Dana Gibson), Godwin managed to create a style that was recognizably his and that stood out from both his idols and the mass of clones that were cropping up everywhere. His ability to create tones, especially facial characteristics, with his pen and brush were equal to and in some ways better than Gibson and, I think, obviously superior to Flagg. His use of pen and brush in the same illustration demonstrated an understanding of the medium that set his work apart from his contemporaries. It, combined with his tonal skills, gave his work a depth and weight that was seldom equaled. Walt and Roger Reed in The Illustrator in America 1880-1980 credit some of this realism to his modeling of busts in clay for reference. They don't say when he adopted this practice, but it's unlikely that he was doing this so early in his career.
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Paul Delaney - First black reporter at The Times’s Washington bureau and a founder of the National Association of Black Journalists
When Mr. Delaney ultimately graduated from Ohio State University’s journalism school in 1958, he was the only black student out of 15. His first job was at The Atlanta Daily World. Fifty other daily newspapers rejected him.
“At that time, in the late 1950s, I knew things were changing and that I would eventually land a job on a daily somewhere,” he said over email. “I firmly believed that.”
Eventually Mr. Delaney moved to The Washington Star, where he covered local government. In 1969, he was poached by Max Frankel, the head of The Times’s Washington bureau who later became the executive editor, to cover national urban news — from people moving out of inner cities to the oil industry in Houston.
“Bureau chief Max Frankel hired me to be part of four-man ‘urban cluster,’ responsible for covering the rapidly changing American urban landscape,” Mr. Delaney said.
Attribution: Amanda Svachula - nytimes.com
Full article: Delaney